Kadavar band from Berlin, Germany perform live in Levontin7 music venue, Tel-Aviv.The Great Machine – Street performance – Demonstration – to warm-up Ozzy Osbourne.
MONO band from Japan performing in the Barby live music venue, Tel-Aviv. Taken with the Ricoh GRii pocket monster. One of my next posts will be about the semi-stand developing process and why i loved to use it for my home developing – stay tuned or better – make a subscription to my blog. 2 minutes of the wetting agent at the end. one minute agitation in a clean 20C water and finally 8 min of fixing in Agfa Fix-AG 1+7. XP2 doesnt have the orange base so it can be printed the same as any normal B+W film. 1+100 Rodinal (one shoot) developer – one hour with one turn in the middle. The main problem with processing C-41 as B+W is that the orange mask most colour negative films have acts as a very low contrast filter, which makes printing on VC paper almost impossible. This can be as simple as writing it on any scrap of paper lying around. Make note of your order number, and include this in your parcel to send to us. At checkout you can add any extra notes you may think we need to know. 2 minutes of soaking in a clean 20C water. Choose the colour developing options you need above. Hasselblad 500cm with Planar 80mm f/2.8 attached. you can see the results below – clean and crispy, sharp and toned well scans of 12 frames.Ī few words about photography gear, soup and times i used. The result I got was dirty and grimy – i read about in forums when i did the home works about this not native process, but somewhere inside my was hope for a miracle… 🙂 and a miracle happened when i started the scanning process. more then this – i decided to make it semi-stand – one hour of developing that can help to achieve the better tonal range and confidence that this long process will be less aggressive to the foreign emulsion. during the way of my “home education” i learned to be very accurate with temperature, measures and attentiveness in agitation. 
The process of this developing was very simple – actually same as B&W negatives developing. until some time i used local lab service developing color film (slides and negatives), but last time two of color 120 rolls exposed in Ethiopia were spoiled in this lab. what prompted me to develop color negatives (it was Kodak Ektar 100) with black and white chemistry? i have no idea, may be a desire to experiment with film and Ektar was exposed more then year ago and waited for an attention in my fridge. Last week i combined two new for me techniques in this batch – semi-stand and processing C-41 film in B&W chemistry. Semi stand developing C-41 film in B&W chemistry
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